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Advantages and Disadvantages of the Nikon 50mm f/1.8 D “nifty fifty” lens.
There are two popular questions that I have been asked about this lens the 50mm 1.8D and 50mm 1.8G.
The question no 1. Can I use this lens on my camera?
The 50mm 1.8D lens does not have a built-in auto-focus motor, that means that this lens can only use manual focus on entry-level cameras such as the D3000 and D5000, series, so if you have D3000 D3100 D3200 D3300 D3400 or D5000 D5100 D5200 D5300 D5500 D5600 you will not have auto-focus with D lenses in general.
The Nikon 50mm 1.8 G lens has Silent Wave Motor SWM / AF-S making it possible to use and auto-focus on entry-level Nikon DSLR like D3000 and D5000 models, basically on all Nikon cameras, even on much older Nikon 35mm film camera.
The question no 2. Is the 50mm focal length good for portrait photography?
50mm lens is fine for group shots, half-length, and ¾-length pose on an FX camera.
50mm f/1.8D Portable normal lens.
Maximum aperture f/1.8 – Minimum aperture f/22.
Lens construction 6 elements in 5 groups.
There is no Aspherical lens element to eliminate the problem of coma and other types of lens aberration – when used at the widest aperture.
But this lens has Super Integrated Coating (SIC) for providing high-contrast images even with maximum aperture.
Closest focusing distance 45 cm/1.48 ft.
No. of diaphragm blades 7.
The no of diaphragm blades means, for example, the 1.8D lens has heptagon-shaped bokeh effects and Starburst in long exposure photography is gonna be 14 stars on the 1.8D.
Filter/attachment size 52mm.
Weight Approximately 155 g/5.5 oz.
The 50mm f/1.8 D lens has for a long time been some of the sharpest and cheapest lenses available for most photographers out there, you actually get more than you pay for in my opinion.
The 50mm “nifty fifty” can let you capture images with shallow depth-of-field that lets you isolate subjects from the background, getting great bokeh effects, and has great low-light abilities.
50mm lens on FX camera captures a scene with a perspective similar to the way we see the world, so the 50mm focal length is what we call normal, that is not because other focal lengths are abnormal, because this focal length captures the scene in front of your camera with a perspective that appears normal to our eye.
I use the 50mm lenses for – Cityscape photography – long exposure – Landscape – Parties – wedding – Portrait – Still life photography and Video.
The 50mm 1.8D is probably the cheapest lens available, I always thought this lens was rubbish because it was so cheap, but this lens is worth every penny and more.
Great bokeh effects – Small and light lens.
In my opinion, I find the Nikon 50mm 1.4G and 50mm 1.8G lenses to do a better job for portraits photography when shooting wide open, they are much sharper on the focus area and with more creamy bokeh.
I usually do not use 50mm lens for close up portrait photography, the 50mm is more shootable for a full-length portrait, for example, I have a small home studio and I usually use 85mm or 70-200mm for close up portrait and 50mm for a full-length portrait in my studio.
A recommendation when you use the Nikon AF 50mm 1.8D lens for portrait shots outside like I’m doing on the next photo, use lens hood,
otherwise, you are likely to get sun flare and low contrast flare on half of your picture if you are shooting with the lens wide open
(See picture below)
You will need to stop the lens down to F/3.2 than this lens becomes very good.
long exposure photography.
The 50mm 1,8D lens really shines in long exposure photography, I find this lens does a much better job than all the other Nikon 50mm prime lenses, I find this lens to be very sharp @ f/5.6, also the starburst is more pleasing than on the G lenses.
It’s a result of the small aperture if you want to capture starbursts in your photos you need to stop down the aperture.
The number of aperture blades also affects the starburst’s shape.
if a lens has five aperture blades it will produce 10-star points. If it has six, it will produce six-star points, and if it has seven blades, it will produce 14-star points.
No. of diaphragm blades 7 in Nikon 50mm 1.8d.
The no of diaphragm blades means, for example, the 50mm 1.8D lens has heptagon-shaped bokeh effects, and Starburst in long exposure photography is gonna be 14 stars on the 50mm 1.8D.
This picture is taken in Sonderborg Danmark.
Still Life Photography.
I have been doing some still life photography for a friend of mine, I use most of the time 50mm lens and also Nikon 60mm macro lens, but most of my photos are taking with the 50mm lens.
Sharpness And Bokeh Test.
In the Photographic world, all lenses used properly have sharpness.
Sharpness in lens performance is usually overrated and you need to go your own way and see what lens is good for you.
I think the 50mm 1.8D lens is both sharp and not sharp, wide open this lens is not sharp, I need to stop the aperture down to f/3.2 to reach some good sharpness with this lens, on f/5.6 this lens is one of the sharpest 50mm lenses that I have, only the Nikkor 50mm f/1.2 AI-S lens is sharper on f/5.6, so this lens is both sharp and not sharp, in my opinion.
f/1.8: soft and low contrast images.
f/2.8: A little bit soft, with improved contrast.
f/3.2: good contrast @ this aperture you should be free from low contrast flare.
f/5.6: sharp and good contrast.
This lens has Nikon Super Integrated Coating for providing high-contrast image even with maximum aperture, but my experience is this lens is not doing so good @ maximum aperture, not until you stop the lens down to F/3.2 than this lens is very good, my favorite apertures on this lens are f/3.2 to f/5.6.
does not have a built-in auto-focus motor, which means that this lens can only use manual focus on entry-level cameras such as the D3000 and D5000, series.
I know this lens works on Nikon D7000, D7100, D7200, and all fx Nikon cameras but remember, for auto-focus to work on your camera with this lens you need to set the aperture ring to f/22 and locked there.
Lens Flare is the light scattered in the lens mechanisms, usually unwanted.
Low contrast Flare can also be useful because it adds a sense of realism in images or videos, meaning that the image is a non-edited original photograph of a real-life scene.
All lenses suffer from some imperfections especially old cheap lenses.
Almost all modern lenses are coated and corrected to minimize flare so when you use some of the old lenses you should always use a lens hood
a lens hood will help eliminates flare if the bright light is slightly off to the side, but it won’t help if the light is directly in front of you.
The 50mm 1.8D lens has something called Nikon Super Integrated Coating for providing high-contrast images even with maximum aperture, but my experience is that this lens is not doing so good at maximum aperture not until you stop the lens down to F/3.2 than this lens becomes very good.
Lens flare is probably the only downside with this lens when it comes to image quality from Maximum aperture f/1.8 to f/3.2, on lower aperture then 3.2 you are almost free from the flare.
But on the other hand, you can get really artistic lens flare with this lens, it’s very similar to Helios 44-2 58mm lens.
Here are some of the test pictures that I took on my Nikon D810.
I especially searched for this lens flaw in order to find differences between those lenses, this may not happen to you.
Those pictures were taken in the evening sun, I did not use any lens hood here.
Here I’m doing a low contrast flare test in front of a computer screen using the 50mm 1.8D vs 50mm 1.8G, you can get low contrast flare with a 50mm 1.8D lens just with a light coming from a computer screen.
Conclusion and recommendation.
This lens is probably the cheapest lens available.
Low contrast flare can retuse image quality when this lens is pointed straight into the light source.
Great bokeh effects – Small and light lens.
Good sharpness @ aperture f/3.2.
50mm 1.8D lens does not have a built-in autofocus motor.
perfect for long exposure photography.
To minimize flare you should always use a lens hood with this lens.